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Sacred Art by Cindi Duft

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Paschal Mystery Icon

July 13, 2019

What a challenge and a blessing to create this icon for St. Anthony’s Church in Pocatello, Idaho!

Triumphal Entry

We enter into the icon’s passion narrative with an image of Palm Sunday. As Jesus rides into Jerusalem for Passover, crowds greet Him as the Messiah and King of Glory. He holds a scroll, signifying scripture and the fulfillment of prophesies within it.

Institution of the Eucharist

At the Passover meal with His apostles, Jesus institutes the New Covenant when He blesses the bread and wine, changing them into His body and blood. The gesture of Jesus’ blessing hand shapes the letters ICXC—an abbreviation using the first and last letters of the Greek words, Jesus (IHCOYC) and Christ (XPICTOC)—and so He blesses with His Holy Name. Notice the reactions and emotions of the apostles (back row: Andrew, Peter, (Jesus), John, Jude, James the Greater; front: Matthew, James the Less, Simon, Judas, and Philip). Part of two halos at the sides are for Thomas and Bartholomew, but also suggest that the scene continues out beyond what is shown. In fact, it continues out to us as we are included in this timeless act of sacrifice with our offering of the Eucharist at each Mass. The tabernacle becomes a three-dimensional element emerging from the two-dimensional scene, and Jesus becomes truly present for us in the Eucharist.

Notice how the people in the icons are illuminated from within. As we each have an immortal soul, made in the image and likeness of God, and are temples of the Holy Spirit, the degree to which a person embraces those truths is reflected in how much we can see the light which is within them. The light is streaming out of the eyes of Jesus and shining through His skin; He also has a halo, signifying light emanating from His head. In contrast, Judas the betrayer has shrouded his light with self-interest and greed, and so he is less illuminated and has no halo. He grasps his sack of 30 silver coins, and turns away from the covenant meal.

Agony in the Garden

After supper Jesus takes His apostles out to the Garden of Gethsemane. James the Greater, John and Peter are kept a little closer, and so they appear at the top of the pile of apostles who cannot seem to stay awake to support Jesus. He is alone praying to His Father with anguish about the suffering He will endure to fulfill His mission. The icon shows that the upcoming scourging, carrying of the cross, and crucifixion are all within the gaze of Jesus in the garden. Despite His natural human fear and His divine power to prevent such suffering, He chooses to continue on with His Father’s plan out of love for all humanity.

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Scourging at the Pillar

Jesus is arrested in the garden through Judas’ betrayal and taken to the court of the Roman Procurator, Pontius Pilate. A Roman soldier dressed in red/yellow whips Jesus. The two buildings represent Pilate (red/yellow) who gave the order, and his wife Claudia (blue/purple) turned away, being against Jesus’ punishment.

Carrying of the Cross

Follow the path over to the left, and we see Jesus carrying His cross. He wears the crown of thorns and a new royal purple robe that the soldiers dressed Him in to mock Him. Two women are watching, weeping and praying from the mountains. Mountains in icons frequently resemble staircases to suggest an ascent to holiness or to God. The mountains in this scene appear especially treacherous to signify the difficulty of Christ’s passion. Jesus gazes down to the Last Supper scene, determined to complete the Passover sacrifice begun on that evening and to reconcile all of mankind to God.

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The Crucifixion

The Blessed Virgin Mary, Mary Magdalene and John stand by Jesus at His death. John beats his breast to express sorrowful repentance on behalf of not only himself and the absent apostles, but for all of us. With the solar eclipse behind the cross, darkness shrouds the sky. The mountains take a break from their ascent to bow. The skull at the base of the cross represents Christ's triumph over death; it is the skull of Adam to signify that Christ’s sacrificial blood has washed over all of mankind, even back to Adam and Eve.

The crucifix which has been present at St. Anthony’s Church for many, many years, hangs on top of the scene, and so another three-dimensional element emerges from the two-dimensional icon. May the crucified Christ, who gives the ultimate proof of God’s love, reach a new dimension of reality for all who pray with this icon.

The Resurrection

Continue following the mountains upward to the open tomb. Mary Magdalene, grasping her bottle of ointment, examines the burial cloths left behind. An angel in white announces Jesus’ resurrection. Jesus appears in an almond-shaped aureole, a manifestation of supreme power, which has darkness at the center that breaks into clouds around the edges; this is the portal from the place of the dead (Hades) where Jesus has liberated all of the souls waiting for salvation. Christ radiates other-worldly light with gold highlights on His white robe. He carries a cross of victory and imparts a blessing on us all.

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The Ascension

Forty days later, the risen Jesus ascends to Heaven. Angels sound their horns/trumpets as they escort Jesus, who is portrayed in a blue and gold-ringed circle (another portal) that has the universe, or the heavens at its center. Constellations shown in the heavenly portals include Leo and Pisces (the lion of Judah and fish being symbols for Christ), Libra (a symbol of justice) and Aquarius (the water/life bearer). The 11 apostles and Blessed Virgin Mary are down in the valley witnessing His ascent.

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Sending of the Holy Spirit

Ten days later from the realm of heaven, Jesus sends the Holy Spirit to His disciples waiting in a house in Jerusalem. Seven rays (four red and three white) emanating from the dove represent the seven gifts of the Holy Spirit. The house is flooded with light (notice the warm-colored windows here vs. the black windows in all other buildings.) A river of life flows from the nascent Church. Trees rooted near the river grow healthy and strong. The mountains represent both the difficulties that will always surround the Church and the strong foundation upon which the Church is established.

At the base of the icon it reads, “To the one seated on the throne and to the Lamb be blessing and honor and glory and might forever!” from Revelation 5:12. These are the words of praise of “every creature in heaven and on earth and under the earth and on the sea, and all that is in them”, including us. We join with the angels, the Church (past, present and future) and all creation in this vision of universal praise of the God who loves us, who became man to show us the way to the Father and who sacrificed Himself for us. In the icon, even mountains, trees, and the donkey bow in praise. And God continually loves and blesses His creation (how many times in the icon do we see Jesus raising His hand in blessing?)

This ancient story, told in an ancient iconic form, is still vibrant, alive and real today. Our Father (the One seated on the throne) and Jesus, the Lamb, co-reign in heaven and on earth with the Holy Spirit, always and forever. Amen!

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OLV wide shot.jpg

As It Is In Heaven...

August 9, 2018

I begin with sincere appreciation to Fr. Mark Uhlenkott and the parishioners at Our Lady of the Valley in Caldwell, ID, for asking me to do these paintings!

Our starting point for this image was a portion of the c1750 fresco, Religion Protected by Spain by Corrado Giaquinto. We chose it for the composition, colors and subject matter, and then made several adjustments. In our depiction of Heaven, we see:

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  • Jesus, the high priest, wears a seamless white tunic and gold mantle (the colors of Easter). His stance is one of power and openness. He holds the cross in one hand while the other touches the altar, and he steps on a shield under a sword. This reminds us of His victory over sin and death by His holy sacrifice. The figures on the altar are a reference to the martyrs under the altar in Revelation 6:9 who united their sacrifices to His.
  • The other members of the Trinity are represented with symbols of the dove (at Jesus’ Baptism, the Holy Spirit descends upon Him like a dove (Lk. 3:22)), and the fire (God the Father speaks to Moses at the burning bush (Ex.3:4-12) and leads Moses and the people through the desert as a pillar of fire by night and cloud by day (Ex. 13:22)).
  • The Blessed Virgin Mary, as always, teaches us by example—she draws near to Jesus without fear, but with humility, kneeling. She points to Him with one hand, while the other is raised in prayerful petition. She shows us that we can trust Him and ask for His help in our every need. Mary is the representative for humanity in this image of heaven and presents to Christ all of the petitions we have entrusted to her. Mary is sometimes called the “morning star”, and so this symbol appears on her necklace. As the “Queen Mother” and “Queen of Heaven” she wears a crown. Her gown is white, the color of purity/holiness, and blue for heaven and peace.
  • A cherub holds up a book which is open to the Lord’s Prayer in Greek as it was originally recorded in the New Testament.
  • The angel to the left presents a chalice. The angel on the right calls our attention or perhaps plays music on a horn while extending her left arm in welcome.

About the scenery:

  •  Since Mary is the patroness of this church, Our Lady of the Valley, there are mountains.
  • The trees are symbolic of life, and are unlike common trees of the earth. They may be the Tree of Life and the Tree of Knowledge of Good and Evil (Gen. 2:9).
  • Clouds, a common symbol of Heaven, appear colorfully in the foreground as well as in the sky.
  • There is not one specific light source like our sun; instead the whole scene is filled with light.

This artwork is a visual reminder that when we celebrate the Mass, Heaven and Earth come together; we celebrate in union with the angels and the saints. How many objects and actions in these paintings do you recognize from the Mass?

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Before and after photos of St. Charles Church, Hailey, ID, 2016.

Before and after photos of St. Charles Church, Hailey, ID, 2016.

The Process of Transforming St. Charles'

January 27, 2018

The goal for St. Charles’ was make the church feel more sacred and more inviting. The church had some nice Stations of the Cross and gothic-arched stained glass windows, but the walls were all white, and the sanctuary stark.

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Before and after photographs of St. Jude's Church, Garden Valley, ID, 2015

Before and after photographs of St. Jude's Church, Garden Valley, ID, 2015

The Process of Transforming St. Jude's

January 21, 2018

When Fr. Oscar Jaramillo talked with me about painting, I began by thinking about their patron, St. Jude, who is the patron saint of desperate or impossible causes. Why would we ask him to pray for us in these circumstances?

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Painted for Mary Immaculate Catholic Church, St. Anthony, Idaho, 2008

Painted for Mary Immaculate Catholic Church, St. Anthony, Idaho, 2008

About the Crucifixion Altarpiece

January 17, 2018

An “altarpiece” is a work of art that decorates the space above and behind the altar. In some Catholic churches, the altarpiece is very ornate and includes a structure of carved wood and/or sculpted stone as well as painted images. In this case, four canvases bolted together create a “structure” which include decorative details very similar to those on the existing altar and Communion rail.

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Painted for St. Mark's Church, Boise, ID, 2008

Painted for St. Mark's Church, Boise, ID, 2008

The Four Evangelists with Sts. Peter and Paul

January 17, 2018

The four men in the middle are the Four Evangelists: Sts. Matthew, Mark, Luke and John. They can be recognized as such by the scrolls they are carrying and their symbols of the winged angel, lion, ox and eagle in the border design. Sts. Peter and Paul, the "pillars of the Church", stand on the right and left. Peter can be recognized by the key around his neck, and Paul by his sword. 

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Painted for St. Mark's Church, Boise, ID, 2005

Painted for St. Mark's Church, Boise, ID, 2005

The Supper at Emmaus

January 17, 2018

This reproduction of the Roman artist Caravaggio’s 1602 painting portrays Luke 24:13-32. Shortly after Jesus's resurrection, He appeared to two disciples (Cleopas and the other unnamed by Luke) walking on the road to Emmaus. They did not recognize Him, but their hearts burned within them at His words. When they arrived in Emmaus, they had supper at an inn. The innkeeper, shown standing at the left, does not know anything about Jesus or what is going on. When Jesus blesses and breaks the bread, the two disciples finally realize that it is the risen Christ who is among them.

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Painted for St. Mark's Church, Boise, ID, 2007

Painted for St. Mark's Church, Boise, ID, 2007

The Secrets of the Pentecost Mural

January 17, 2018

This reproduction of French artist Jean Restout’s 1732 painting tells the story of Acts 2:1-4. Mary and the 11 apostles along with other disciples are in Jerusalem 50 days after Jesus’s death, hiding in “the upper room”, fearing their own persecution and death. A strong, driving wind comes and then tongues of fire descend upon them, and they are filled with the Holy Spirit and with courage to go out and preach the good news.

 

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Jul 13, 2019
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